She sat with great intensity, giving the whole of her mind to it, and was capable of remaining for an hour almost as motionless as if she were before a photographer’s lens. I could see she had been photographed often, but somehow the very habit that made her good for that purpose unfitted her for mine. At first I was extremely pleased with her lady-like air, and it was a satisfaction, on coming to follow her lines, to see how good they were and how far they could lead the pencil. But after a few times I began to find her too insurmountably stiff; do what I would with it my drawing looked like a photograph or a copy of a photograph. Her figure had no variety of expression—she herself had no sense of variety. You may say that this was my business, was only a question of placing her. I placed her in every conceivable position, but she managed to obliterate their differences. She was always a lady certainly, and into the bargain was always the same lady. She was the real thing, but always the same thing.
“…I was able to undress and take the pose without hesitation. Although I was quite innocent at that time, he made me feel as if my body were no different than my face, as if I were the same as the statuette.” from the short story “Artists and Models,” included in Delta of Venus, one of Nin’s collections of erotic fiction
[image via lightning-heart]
Nicola Samori - Maddalena, 2010, oil on wood, 70 x 50 cm | More posts
Thnx to ronulicny
Alex Webb View profile Toward Monte Verde. 1996. Max with rainbow. posted by RachelRiley
Odilon Redon